There’s always a queue of people lined up to complain about the sound quality of MP3s, but far fewer rushing to the audio format’s defence. Mainly because people who don’t mind the quality of MP3s are just getting on with listening to and enjoying music, rather than moaning about it all the time.
But anyway, I only mention it because Radiohead’s Jonny Greenwood was recently asked about his opinion of MP3s by the New Yorker for a series of articles on the quality of recorded music. He told the magazine: “They sound fine to me. They can even put a helpful crunchiness onto some recordings. We listened to a lot of nineties hip-hop during our last album, all as MP3s, all via AirTunes. They sounded great, even with all that technology in the way. MP3s might not compare that well to a CD recording of, say, string quartets, but then, that’s not really their point”.
Asked if Radiohead’s fans would agree with that, he added: “We had a few complaints that the MP3s of our last record weren’t encoded at a high enough rate. Some even suggested we should have used FLACs, but if you even know what one of those is, and have strong opinions on them, you’re already lost to the world of high fidelity and have probably spent far too much money on your speaker-stands”.
However, he echoed the sentiment of comments made earlier this year by Six Organs Of Admittance man Ben Chasny, who said that he feared people were becoming addicted to hoarding information. Greenwood said: “The downside [to the MP3 age] is that people are encouraged to own far more music than they can ever give their full attention to. People will have MP3s of every Miles Davis’ record but never think of hearing any of them twice in a row – there’s just too much to get through. You’re thinking, ‘I’ve got ‘Sketches Of Spain’ and ‘Bitches Brew’ – let’s zip through those while I’m finishing that e-mail’. That abundance can push any music into background music, furniture music”.
Read the full interview here.